Speedy Gonzales 1/1 cel with drawing
  1. Framed
    + $145
  2. Deluxe Framed
    + $210

Speedy Gonzales 1/1 cel with drawing

Item #IFA4204


Product Description

This is a hand painted 1 of 1 cel with matching production drawing. The drawing was used in making the productionBoth are signed by Friz Freleng. Friz Freleng was an American animator, director, cartoonist and composer known for his work at Warner Bros. on the Looney Tunes and Merrie Melodies series of cartoons. He created and/or developed many of the studio's biggest stars, including Bugs Bunny, , Tweety, Sylvester the Cat, Porky Pig, Yosemite Sam, and Speedy Gonzalez. Freleng directed more cartoons than any other director at Warner Bros. (a total of 266), and is also the most honored of the Warner directors, having won five Academy Awards. Drawing can be framed for an additional $145 plus shipping.

Image Size: 10.5" x 12.5"

Framed Size: 18" x 20"


Shipping Information

Framed Unframed
Shipping to the Continental United States or Canada $35 $25
Shipping to the United Kingdom, France, or Germany $200 $95
Shipping to Australia or New Zealand $200 $95

For any other shipping locations, please contact us for a custom quote.

All prices in US Dollars


Original Production Cels

Production cels are the one-of-a-kind original cels that were used in the creation of an animated film or television show. Each has been hand-painted by studio artists on a piece of celluloid acetate, and has been photographed over a background painting to create a frame of the finished production.

Production cels are highly sought after by collectors, with very rare pieces from the early days of animation fetching prices in the tens, and even the hundreds of thousands of dollars. See Why So Few Vintage Pieces Have Survived for more information on the rarity of early production cels.

Production cels from the 1980’s and 90’s are available at considerably lower expense, but The Move To Computerized Animation has severely curtailed the supply of new artwork in the market, and has put upward pressure on prices of what is still available.

Production cels from the same film, or even the same scene, can have significantly different values depending on their desirability to collectors.


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